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What I find most fascinating about Antares Auto-Tune is that everyone and their mother knows what it is, despite the fact that it's just another digital audio plugin used in bedroom and professional studios alike. Even people who have no clue what an EQ or compressor does somehow at least know of the word 'Auto-Tune' and even the general effect it has on the human voice.

People Talking In Auto Tune Online

Dec 04, 2017 Text to Sing allows users to type in words and hear them sung back, as part of a message or other user-created media, without the need for any plug-in or install. People are just adding names of people who they 'assume' use Auto-Tune. There is no evidence whatsoever.yo Word, Auto-Tune gives you pitch correction alone, not that robotic type voice that most of the mentioned artists use. . Note that pitch correction software like Auto-Tune is used subtly in basically every single song you ever hear. We're talking about the 'over-use' of it as a vocal effect. Spring 1997: Antares releases Auto-Tune 1.0. It works by correcting the pitch of a vocal based on the key of the song.

But even though Auto-Tune has evolved to become this cultural phenomenon, very few artists or producers truly understand how to get it to sound like the way it sounds on major records.

In case you don't know what it is, Auto-Tune, in a nutshell, is a pitch correction software that allows the user to set the key signature of the song so that the pitch of the incoming signal will be corrected to the closest note in that key (and does so in real time). There are other pitch correction programs out there that do similar functions: Waves Tune, Waves Tune Real-Time, and Melodyne (which is pitch correction, but not in real time), but Auto-Tune seems to have won the standard for real-time pitch correction.

Auto-Tune traditionally is used on vocals, although in some cases can be used on certain instruments. For the sake of this article we will be discussing Auto-Tune and its effect on the human voice. Listen to this early example from the 'King of Auto-Tune,' the one artist who did more to popularize its effect than any other, T-Pain.

Working as a full-time engineer here at Studio 11 in Chicago, we deal with Auto-Tune on a daily basis. Whether it's people requesting that we put it on their voice, something we do naturally to correct pitch, or even for a specific creative effect. It's just a part of our arsenal that we use everyday, so over the years we have really gotten to know the ins and outs of the program—from its benefits to limitations.

So let's delve further into what this software really is and can do, and in the process debunk certain myths around what the public or people who are new to Auto-Tune may think. If you were ever wondering why your Auto-Tune at home doesn't sound like the Auto-Tune you hear from your favorite artists, this is the article for you.

To set the record straight, as I do get asked this a lot of times from clients and inquiring home producers, there really are no different 'types' of Auto-Tune. Antares makes many different versions of Auto-Tune—Auto-Tune EFX, Auto-Tune Live, and Auto-Tune Pro—that have various options and different interfaces, but any of those can give you the effect you're after. Auto-Tune Pro does have a lot of cool features and updates, but you don't need 'Pro' to sound pro.

I wanted to debunk this first, as some people come to me asking about the 'the Lil Durk Auto-Tune,' or perhaps that classic 'T-Pain Auto-Tune.' That effect is made from the same plugin—the outcome of the sound that you hear depends on how you set the settings within the program and the pitch of the incoming signal.

So if your Auto-Tune at home sounds different from what you hear on the radio, it's because of these factors, not because they have a magic version of Auto-Tune that works better than yours at home. You can achieve the exact same results.

In modern music Auto-Tune is really used with two different intentions. The first is to use it as a tool in a transparent manner, to correct someone's pitch. In this situation, the artist doesn't want to hear the effect work, they just want to hit the right notes. The second intent is to use it as an audible effect for the robotic vocals you can now hear all over the pop and rap charts.

But regardless of the intent, in order for Auto-Tune to sound its best, there are three main things that need to be set correctly.

1. The correct key of the song. This is the most important part of the process and honestly where most people fail. Bedroom producers, and even some engineers at professional studios who might lack certain music theory fundamentals, have all fallen into the trap of setting Auto-Tune in the wrong key. If a song is in C major, it will not work in D major, E major, etc.—though it will work in C major's relative minor, A minor. No other key will work correctly. It helps to educate yourself a bit about music theory, and how to find the key of a song.

2. The input type. You have the option to choose from Bass Instrument, Instrument, Low Male, Alto/Tenor, and Soprano. Bass Instrument and Instrument are, of course, for instruments, so ignore them if you're going for a vocal effect. Low Male would be selected if the singer is singing in a very low octave (think Barry White). Alto/Tenor will be for the most common vocal ranges, and soprano is for very high-pitched vocalists. Setting the input type correctly helps Auto-Tune narrow down which octaves it will focus on—and you'll get a more accurate result.

3. Retune speed. This knob, while important, is really all dependent on the pitch of the input source, which I will discuss next. Generally speaking, the higher the knob, the faster it will tune each note. A lower speed will have the effect be a bit more relaxed, letting some natural vibrato through without affecting a vocalist's pitch as quickly. Some view it as a 'amount of Auto-Tune knob,' which isn't technically true. The amount of correction you hear is based off the original pitch, but you will hear more effects of the Auto-Tune the faster it's set.

People Talking In Auto Tune 2017

So let's say you have all of these set correctly. You have the right key, you choose the right range for the singer, and the retune speed is at its medium default of 20ms. You apply it on the singer expecting it to come out just like the pros. And while their voice does seem to be somewhat corrected, it's still not quite corrected to the right pitch.

Here's why your Auto-Tune doesn't sound like the pros:

The pitch of the vocalist prior to Auto-Tune processing must be close enough to a note in the scale of the key of the song for Auto-Tune to work its best. In other words, the singer has to be at least near the right note for it to sound pleasing to the ears.

Whether you're going for a natural correction or the T-Pain warble, this point still stands. If the note the singer originally sings is nowhere near the correct note in the key, Auto-Tune will try to calculate as best it can and round up or down, depending on what note is closest. And that's when you get undesirable artifacts and hear notes you weren't expecting to hear. (Here is an example of how it sounds when the incoming pitch isn't close enough to the scale, resulting in an oddly corrected pitch.)

So if you put Auto-Tune on a voice and some areas sound good, some sound too robotic and a bit off, those are the areas that the singer needs to work on. Sometimes it can be difficult for non-singers to hear slight sharp or flat notes, or notes that aren't in the scale of the song, so Auto-Tune in many cases can actually help point out the problem areas.

This is why major artists who use Auto-Tune sound really good, because chances are they can sing pretty well before Auto-Tune is even applied. The Weeknd is a great example of this—he is obviously a very talented singer that has no problem hitting notes—and yet his go-to mixer, Illangelo, has said before that he always uses at least a little bit of Auto-Tune on the vocals.

If you or the singer in your studio is no Weeknd, you can correct the pitch manually beforehand with a program like Melodyne, or even with built-in pitch correction tools in your DAW, where you can actually go in and change the pitch of each syllable manually. So if you find yourself in a situation where you or an artist you are working with really want Auto-Tune on their vocals, but it's not sounding right after following all the steps, look into correcting the pitch before you run it through Auto-Tune.

If you get the notes closer to the scale, you'll find the tuning of Auto-Tune to be much more pleasing to the ears. For good reason, T-Pain is brought up a lot when discussing Auto-Tune. Do you want to know why he sounds so good? It's not a special Auto-Tune they are using, its because he can really sing without it. Check it out:

Hopefully this helps further assist you in your understanding and use of Antares Auto-Tune, and debunk some of the myths around it. Spend some time learning some basic music theory to help train the ear to identity keys of songs, find which notes are flat and which notes are sharp. Once you do, you'll find you'll want to use Auto-Tune on every song, because let's face it—nearly a decade after Jay-Z declared the death of Auto-Tune on 'D.O.A.'—it still sounds cool.

People Talking In Auto Tune Video

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Technology has permanently changed the way we listen to music. One of the artists credited (or blamed) for that shift is T-Pain, the perpetually auto-tuned R&B and rap hit-maker.

Some years ago, auto-tune was inescapable. Every rapper seemed to have an auto-tuned hook or run. The tacky technology was originally used by producers to help correct notes that an artist couldn't hit or hold. The hope was that listeners wouldn't be able to tell the difference.

People Talking In Auto Tune Lyrics

In the mid-2000s, auto-tune broke onto the hip hop and R&B scene with producers and rappers exaggerating the effect to extremes. T-Pain was one of the first of those artists to feel the success and also the inevitable backlash of auto-tune. Critics said the technology was disingenuous and destroyed any need for vocal talent. Auto-tune wasn't just decried by music purists and angry bloggers — celebrated artists such as Jay-Z came out against it, and even released a song on his 2009 album The Blueprint 3, titled 'D.O.A. (Death of Auto-tune).'

Well T-Pain survived the barbs and is currently riding another wave of auto-tune success with the release of an iPhone app, novelty microphone and a brand new album, rEVOLVEr, released in 2011. The app, I AM T-Pain, lets users auto-tune their voice by singing into an iPhone, whereas the microphone, called the 'I AM T-Pain Mic,' is a stand-alone toy dedicated to auto-tuning.

Mashable had a chance to speak with T-Pain about auto-tune, his app and microphone and the future of music in the age of technology.

The Road to the App Store

T-Pain has always had a mind on technology and saw a perfect opportunity to get into the app game when other celebrities, such as Britney Spears, Pink and Lil' Wayne, started releasing their own apps.

'I said, 'Well, I guess I'm so famous for the auto-tune, I guess I should make an app.' And it's just been flying off the shelves,' T-Pain, born Faheem Najm, says. The app was a smart move. It has been downloaded more than 2 million times since its launch in 2009, according to T-Pain's team. That was just the start: 'You know I had pretty good projections with the mic and a lot of adults buy it, like, pretending they're buying it for their kids ... Adults would call me saying they're tired of their kids slobbering all over their phones,' T-Pain says of his decision to create a mic version of his auto-tune app.

T-Pain insists that the mic is all about making music fun. 'I don't do the whole, 'Put my name on it, make me famous' thing,' Pain told us, although there is a video on T-Pain's site in which he says of the mic: 'I mean, we're just, we're milking this thing baby. We're milking it.' Regardless of the intent, T-Pain's mic is selling well.

'Hard & B'

It's hard to stay mad at T-Pain, who swears by a type of music he calls 'Hard & B.' It's more about process than genre. 'Basically it’s the hard way of doing music,' T-Pain says. 'I write my music. I produce my music. I sing it. I damn near record all of it myself and you gotta go out and perform it. It’s a hard way of making music. On the other hand, [some artists] get someone to write and produce it and you just sing it in the middle like a puppet.'

In that sense, auto-tune is less a way for T-Pain to hide his voice but to create music in a different way. 'My dad always told me that anyone's voice is just another instrument added to the music. There was a time when people had seven-minute songs and five minutes of them were just straight instrumental,' T-Pain says. 'I got a lot of influence from [the '60s era] and I thought I might as well just turn my voice into a saxophone.' He credits the core of his music and lyric style to R. Kelly and Cee Lo Green, two R&B artists known for their expressive — and unfiltered — voices.

After years of success, however, T-Pain still enjoys talking about the tech he applies to his voice as a way of educating people on how it works. T-Pain says he studied the technology behind auto-tune to better understand his craft.

People Talking In Auto Tune Free

Auto-tune, it turns out, is actually sort of hard to pull off: 'You know, because it was made to correct bad notes and stuff, of course people say you just slap it on your voice and anyone who's tone-deaf can make a half-decent song.' It also turns out that T-Pain is a decent singer even without the tech. 'The crazy thing is ... there's always a song [on my albums] with no auto-tune and those are always the songs that go overlooked,' T-Pain says.

Social media has helped alleviate some of that frustration thanks to massive support from T-Pain's followers. Although he has more than 700,000 followers on Twitter, he tries to stay humble: 'I don't know man, because you look at someone like Soulja Boy and all these other people and they have millions of followers and I'm proud to even have two follows; my mom and my dad .... The way that people show me love on Twitter? I don't know man. It's amazing.'

People Talking In Auto Tune Youtube

T-Pain has a busy year ahead. After our phone call, T-Pain had a day of interviews with press before heading to Jimmy Kimmel Live! to perform 'Drowning Again' on piano and without auto-tune. Through the madness, his iPhone app and auto-tuning microphone continue to sell to legions of would-be crooners and lotharios practicing their Hard & B.